I like the combination of power and sensitivity in this lovely drawing by Kent Williams.
His composition is fearless; look at how boldly he plants that figure in the center of the page, perfectly balanced as if by a Zen master. No need to hedge his bets with wispy lines implying a background. His primeval "L" shape is a design so basic and timeless it might as well have been etched into a cave wall.
Yet, the strength of his design doesn't undermine the subtlety of his drawing.
Williams' shading starts our eyes at the model's face, but the shading is soon softened by gouache as we travel down her body. The shading disappears altogether where her sparsely drawn toes form a peninsula with his signature.
Williams' sensitive line displays the kind of clarity that only comes with genuine knowledge of the human form.
Artists have been drawing the human form since the world was new. There is certainly nothing shockingly original about this basic pose. Isn't it marvelous, then, that variations such as this one continue to delight, inspire and educate us?
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2011
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May
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- What's Wrong With Deinonychus?
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- Evolved Encounter: Craig and Peter
- JEFFREY CATHERINE JONES (1944-2011)
- Back to building a 3D dinosaur - research
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- Evolved Encounter: Glendon and Peter
- POP ART: He-Man riding a Triceratops
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- "BACKGROUND" IS ONLY A TEMPORARY CONDITION
- ARTISTS AT WAR, part 3
- The Best and Worst Dressed Dinosaurs
- Input on a Gorgosaurus please!
- Sugar High
- Transitional ART Forms- End of April 2011
- ARTISTS IN LOVE, part 18
- The Hadrosaur Gallery
- _Hesperornis_ Challenge
- The definitive art book on the Steampunk genre. "...
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